Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Sunday, February 05, 2012

'Twas the Month After Negropedia

'twas the month after negropedia, and all through the sphere 

a few people were talking, but not fully three cheers 

the new yorker said yay, the daily beast says a hoot 

but some say "he’s racist, why give him my loot?" 



he’s not lindsey lohan, he’s not herman cain 

more often than not, that TAN just hurts my brain 

posts come without rhythm, no rhyme, little reason 

sometimes he’s long-winded, the blog is practically wheezing 

he’s trying so hard, as he sits and tap-tappers 

about race, about rap, how you might be a rapper

and so if on your roof you hear the sound of a clatter 

don’t call the po-po, get some wine and let’s chatter

let TAN into your homes, your hearts and your minds 

let TAN sing his song for four wings w/ some fries 

le book on the shelves, buy it now before noon 

and then go to steamboat, he’ll be reading there soon

Fin


Saturday, February 04, 2012

WORDEMUP


Born October 4th (a Libra!), weighing in at, uh, a few ounces, (even less if you cop the digi-baby). A bundle of joy, you have your mommy's eyes, and your daddy's, well, CENSORED TOO HOT FOR TV/INTERNET, and as of this moment you're all future potential YAY, SALES:

Why We Need Negropedia [The Daily Beast]
Gawker Book Club: Negropedia [Gawker]
The Exchange: Patrice Evans on "Negropedia" [The New Yorker]
The Clair Huxtable Code [Jezebel]
Talking with Michael Eric Dyson [The Michael Eric Dyson Show]
How to Build the UltimateBlack Comedian [Splitsider]
Most Exciting New Books Coming Your Way This Fall
 + Interview: Patrice Evans Talks Negropedia, Gay Rappers [Flavorwire]
Also: You Might Be A Rapper: Steve Jobs (RIP) [Grantland]

(more coming...)

The Root Recommends [The Root]
Playing 9 Questions w/ Patrice Evans [Examiner]
Talk w/ Shawna Renee [Cocoa Mode]

THANKS FOR SUPPORTING TAN, NEGROPEDIA, CIVIL RIGHTS, AND AMERICA.


FOR THE HOLIDAYS: BOOKS ARE THE NEW CRACK

Thursday, November 17, 2011

Greenlight Bookstore Reading

Steamboat



TODAY


Thursday, November 17, 7:30 PM
Steamboat: A Literary Humor Series
Hosted by Bob Powers
Featuring Larry Doyle, Patrice Evans, Rev Jen, and Jon Friedman

On the third Thursday of every month, join comedian Bob Powers (author of Happy Cruelty Day) as he hosts the city's best humor writers for a night of wine-addled, text-based hilarity. This month's lineup includes Larry Doyle, author of Deliriously Happy and Go, Mutants!; Patrice Evans, aka "The Assimilated Negro," author of the new book Negropedia; Reverend Jen, author of the new book Elf Girl; and Jon Friedman, creator of The Rejection Show and editor of the book Rejected.

Steamboat Reading w/ TAN [Greenlight Bookstore]

Thursday, September 15, 2011

THIS SUNDAY: TAN @ Brooklyn Book Festival


The BROOKLYN BOOK FAIR has a ton of amazing writers, panels, readings this Sunday. I'm fortunate to be a guest on one of the late afternoon panels.

SUNDAY, 9/18, BROOKLYN HISTORICAL SOCIETY MAIN HALL (128 Pierrepont Street)

5:00 P.M. Media Representations and Reality. The debate continues over whether the media reflects reality or has a hand in shaping it.  Like Heisenberg's Uncertainty Principle, the act of presenting the news can very often alter it.  No one knows this better than Brooke Gladstone of "On the Media," whose new book The Influencing Machine with Josh Neufeld examines the role of the media in American society. Patrice Evans, (Negropedia), examines media representations of African-Americans, and Jennifer Pozner (Reality Bites Back) looks at the completely unreal world of reality television. Moderated by Juan Gonzalez (News for All the People).

look for the Clair Huxtable Flyers



Have you forgotten the borough already?

Friday, April 29, 2011

Hip Hop & Hipsterism: A Philosophy of Us and Them

Here's an excerpt from my contribution to n+1's "What was the Hipster?" book. Last fall the conversation circulated around at spots like NYMag (114 comments), NYTimes ("f this intellectual minutiae, someone implies), Yglesias ("flat-out good writing"), hilobrow (they prefer the term "revivalist", and other spots that if I weren't so out of practice with my linking I would include. But Mr. Google can help if you want more...

On my end I offered some thoughts from the perspective of someone who never really encountered the term until I started hanging with nyc media types. And so I began with this:


There is a difference . . . between Norman and myself in that I think he still imagines that he has something to save, whereas I have never had anything to lose.  Or, perhaps I ought to put it another way: the things that most white people imagine that they can salvage from the storm of life is really, in sum, their innocence. It was this commodity precisely which I had to get rid of at once, literally, on pain of death
- James Baldwin
The quotation is from James Baldwin’s “love letter” to Norman Mailer, “The Black Boy Looks at the White Boy,” published in Esquire in 1961, four years after Mailer’s “The White Negro” first appeared in Dissent Magazine. If the n+1 panel is a modern update (repurposing?) of Mailer’s attempt to define the hipster, then consider this “Black Boy’s” response a recapitulation of Baldwin’s dismissive-but-gracious riposte. The hipster, most essentially, strikes me as an avatar of innocence. No one self-identifies as a hipster, and by most definitions the hipster has no agenda of its own. Maybe it was an idea, an inception, planted a long time ago, only to exist as a projection from our own subconscious. Baldwin’s point, then, is to suggest that an essay on the White Negro -- and I’d argue, as analogue to a panel on hipsters -- is the indulgence of a dream, a fantasy, that requires the luxury of sleeping through life to obtain (this echoes Nietzsche’s first maxim in Twilight of the Idols: “Idleness is the beginning of all psychology”). Baldwin’s sentiment is one that cuts right to the heart of what white privilege in America is about. The artful shirking off of human responsibility in the face of ostensible ongoing injustice. A certain entitled pacifism -- passive-aggression as institutional oppression -- that preserves the status quo of Us and Them. They say the issue of class is about the Haves and the Have Nots, but that’s one capitalist-construct up from the fundamental ground-level conversation of Us and Them. And the hipster discussion, much like Mailer’s “White Negro” essay, is a different kind of discussion: one about Us and Them, carried on almost entirely among those who Have.

I Know That You Know That We Need A NEGROPEDIA...

...well, it's coming soon



drops 10/4. I think the pre-order is up and available

HOLLA

Monday, June 22, 2009

Three Uses of the Blog: Viral Video as Metaphor for the Human Condition

The title of this blog is haughtier than the post is actually going to be. I mainly want to point to the series of posts in NY Mag's Reading Room on Bill Wasik's And Then There’s This: How Stories Live and Die in Viral Culture.

The background summary is: Bill Wasik, basically, has some hands-on experience with viral culture; he engineered the "Flash Mobs" meme of a few years ago, where via email and text messaging throngs of people would convene at a notably random location and sing kumbaya enjoy the experience of being herded without a cattle prod. It's the seed that led to stuff like T-Mobile's karaoke session earlier this year.

There are other viruses on Mr. Wasik's resume. He's also a senior editor at Harper's Magazine, so he can write. And thus, a book is born.

NY Mag's panel of folk (Virginia Heffernan, Anil Dash, David Rees, Charlie Todd, Sam Anderson) don't issue a wholehearted recommendation for the book, but I'm probably going to cop it sometime soon anyways. It seems the biggest problem is Wasik comes off as a pretentious d-bag. Which seems to fall in line with his Flash Mobs narrative (he engineered the gatherings, and then later positioned/revealed himself as Mad Social Scientist manipulating people/rats to his bidding). But I don't have a problem with that as long as *good ideas* are present.

In any case, I haven't read any of these "I Will Explain the Internet and Internet Culture to You for $21.99" books since The Long Tail -- that's not intended as a slight; it's mostly because I've embedded myself deeply enough in the culture that I didn't feel the need for an instruction manual -- but given the evolution of the landscape even in just the last 2-3 years, it's a good time to catch up. If only to see how the new trends, memes etc are being packaged.

There were a couple really interesting takeaways from the discussion though. The first is Virginia Heffernan's suggestion that "viral" is a misnomer when we talk about the culture of people passing along videos. Mainly because as the internet has developed, it's not so much about person-to-person sharing, and more sending e-mailed traffic signals directing everyone to Youtube or whatever huge content hub is hosting the *virus*. As she says, "the word 'viral' is used to pretend that culture is so idiosyncratic and personal now, where it may actually be more fascinatingly uniform than ever."

No one came up with a better term, but everyone seemed to agree with the semantics of "viral" being no longer appropriate. Specifically, I think everyone is turned off by the corporate exploitation element, i.e. every company issues a "viral video" that hasn't even been seen with their new product line.

This all made me flashback to The Matrix, when Agent Smith uses "virus" as a metaphor for humans:

"The only way you can survive is to spread to another area. There is another organism on this planet that follows the same pattern. A virus. Human beings are a disease, a cancer of this planet, you are a plague, and we are the cure."

It also made me think of David Mamet's three-essay collection, Three Uses of the Knife: On the Nature and Purpose of Drama, where in the context of a discussion on dramatic structure he explains how drama is a metaphor for the human condition. Drama is life. Or at least, what we live for.

I left a comment on NY Mag's post. Here's a snippet with another takeaway:

the other... was about "purity". How everyone, it seems, hates being manipulated. This is a theme through a few of the posts: Don't overthink it. Don't oversell it. Don't overschtick it (a personal TAN *cough* gripe that resonates). I guess we want internet hippiedom or something? Just be chill and watch pure-viral videos and people doing what they want to do but not too hard..."

This speaks to everyone being turned off by Wasik's pretensiousness. It also speaks to the nebulous don't-try-to-make-this-into-a-formula-because-you-can't nature of viral videos. Everyone thinks they have a viral video in them, and that's because they do. If you ignore the pernicious angle of Agent Smith's quote (don't worry Obama and Al Gore will fix all of that), then in the context of these quotes and book discussion, the striking conclusion is that the "viral video" is you. *cue Tony Robbins* Or, at least, it's your pure essence repurposed into a funny clip.

You can also think of the sharing element as someone identifying some crystallized portion of themselves in a clip, and sharing it. Like you would a list of favorite movies or whathaveyou.

Now this is where I don't want the post to ramble out of control; just go check the book discussion. But i think in this era of information age paralysis, what is in us, the intangible transient *thing*, is what creates the kinetic energy (kinergy?) of viral phenomena. This is true with athletes, and art, and blogs, and twitter, and just about anything that people gravitate towards. Now, sure, corporations and market research groups, and smarty-pretentious editors will thinkthinkthink it through until they come up with some Cool Ranch facsimile, and that facsimile might even create some ripples (I'm an absolute sucker for the same ol cereal being put in a newly redesigned box).

But I think Mr. Dash nailed it when he talked about pop music being what it is because people just like a good beat to dance to, as opposed to indie-rock (or indie-music) being about overwrought thinking over an instrumental. Good memes, good people, good viruses, are self-evident. It resonates not only with our rational side, but also our emotional intelligence.

Another brilliant pull is from David Rees who identified "moms" as the ideal spreaders of real viral ideas. Most "moms" don't know the current tech-pop-culture-hipster fad-trend, but they will absolutely share anything that is need-to-know or cool in an obvious self-evidently good way.

Which I guess means all the tech/culture commentary circles back and boils down to life's one simple truism: Moms rule the universe. Hallelujah!


Vulture Reading Room, Diagnosis: The Spread of Viral Culture [NY Mag]

image via Mike Arauz, moms
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