Old Man Rap: Nas Still Got It, Son

(On Grantland)


In Never Scared, Chris Rock had some fun riffing about what it was like to be a 39-year-old hip-hop head. And I can personally remember The Chronic dropping and talking with friends about how this would be our generation’s smooth-jazz retirement music. I’m still looking forward to bumping “Let Me Ride” as I lean back playing some Bingo at the Soundview Senior Center.

But what about when the rappers get old? Back in the day, KRS-One famously rhymed “No one’s from the old school, cause rap on a whole isn’t even twenty years old / Fifty years down the line you can start this.” Well, it’s not quite fifty years, but we’re getting close! And with Jay-Z and the Roots' Questlove and Black Thought over the hill, and Em turning 39 in a few days (Happy Birthday!), it feels like we’re ushering in a new era of Old Man Rap. I’d call it a Renaissance except it’s really the first time we’re seeing our platinum rap stars approach their platinum anniversaries.

I got to thinking about this because the ever-youthful-looking Nas, who is working on the tenth album of his 20-year career, and now pushing 40, dropped the video for his first single “Nasty" (below). It's a little sample of what his Old Man Rap game looks like.



CONTINUED ON GRANTLAND

Maybe "Illmatic" is Hip Hop's "Catcher In the Rye"?

Re-upping this one for my peeps from The New Yorker, this Illmatic meets Catcher in the Rye didn't make it in for Negropedia, but we got some other good stuff in the book, and exploring the shared literary-hip hop (Audio-Lit?) spaces is an ongoing pet love of mine. We will be here forever!

Yesterday JD Salinger passed away at the age of 91.

As a former disaffected "Choatie", I grew up in a world, uh, beholden to his majesty Salinger's The Catcher in the Rye for poetically exposing the sturm und drang of white preppie youth. As this obit on Gawker points out,

"his ability to channel the internal monologue of a bright-but-alienated kid made the book essential reading for generations of high school students."

Now this type of line gets to the heart of the problem of cultural inequity; because while I was obligated to lighten my pinky through the learning of traditional anglo spirituals (nobody knows the troubles on Park Ave, nobody knows their sorrows), my own personal Holden Caulfield years came right around the time Nas dropped his debut novel, err, album Illmatic. And I'd be a phoney moron to not recognize Nas as "channeling the internal monologue of a bright-but-alienated [black] kid which made the album essential listening for generations of [black] high school students."

So, hmmm, Catcher vs. Illmatic...

a cursory check of the wiki on Salinger and Catcher reveals:

"written in first person (as if Holden himself had written it). There is flow in the seemingly disjointed ideas and episodes ... Critical reviews agree that the novel accurately reflected the teenage colloquial speech of the time."

What's this? Flow, disjointed ideas and episodes, teenage colloquial speech?? Sounds like my kind of rapper...

how about something on Nas:

"[Nas] realistically depicts the darker side of urbanity, creating highly detailed first-person narratives that deconstruct the troubling lives of inner city teenagers"

or the NYTimes noting, "Nas imbues his chronicle with humanity and humor, not just hardness ... [He] reports violence without celebrating it, dwelling on the way life triumphs over grim circumstances rather than the other way around"

These thematic similarities are striking even before the thought of autotuning the voice of Holden Caulfield through some sort of ethnocultural babelfish translator, and getting the lyrics to "New York State of Mind". Or hypothetically plucking Nas out of the ghetto at an early age and sending him off to boarding school where he learns the writing of prose fiction books instead of ones filled with 4-measure rhymes.

AssimiLinks: Your Jealousy and Black Female Rabbis are Useless To Me, Like Newspapers and Indie Dream Girls

Changes afoot. TAN soldiers being recruited and suited up for war. There will be AssimiLink-dumps. Send assimilated links, news, brainfarts to theassimilatednegro at gmizzy.

~~

On Jealousy: "Jealousy may be losing its utility in contemporary life, more useful to our ancestors than to us" -- does this mean in 100 years jealousy might not exist? useless and/or phased out via our evolutionary tract like the dodo bird, the appendix, third nipples? what other emotions are no longer useful to us nowadays? Psychology Today with the fodder for thought.

Paper vs. Web, the unscientific experiment: Slate's having some people only read physical newspapers for a few days, while others only read the web. Unscientific but interesting, and a model TAN might use to to conduct some cultural experiments of his own.

Speaking of newspapers, how does the Times home page gets made: don't need much more explanation than that. via the Observer.

LeBron James going from classy to ashy: Josh Levin dissects the Lebron James video cover-up. "The man who wants to be known as "The Global Icon" should be smart enough to realize that a single dunk in a pickup game does a lot more to build the name of the unknown dunker than it does to harm the world-famous dunkee. LeBron lost face the only way he possibly could have: by failing to be magnanimous." Indeed. Although really the reason to peep is for inclusion of video of Michael Jordan losing a one-on-one game to CEO John Rogers. Nice insightful pull on that one, Josh.

Indie Dream girls: Doree Shafrir, who's hot to death right now, explores the genre of manic pixie dream girls in movies. we're gonna have some focused follow-up on this.

First African-American Female Rabbi: have the jews gone post-racial and post-gender? i'm surprised at the lack of negro memos i've received on this.

And finally, some unreleased Nas, a snippet from a song called "Colors", from DJ Khalil and OKP

DJ Khalil and Nas in the studio recording "Colors" from DJ KHALIL on Vimeo.

illustration: via

Nas on Colbert Is Stillmatic

So Nas held it down on The Colbert Report last night. Over the course of his career I've been disappointed with Nasir, both his performances and interviews are often incoherent and a general mish-mosh of ideas, quotes, whathaveyou. And it allows bits like this NY Mag piece to completely miss the point in terms of the genuine value he brings to the mass-consumable pop culture table.

More on that broad criticism later, but in the clips below Nas is up to the task of having the #1 album on Billboard, leading protest against racism on Fox News Network, and most arduously, appearing on The Colbert Report. Its amazing what can happen when you decide to skip the blunt for an afternoon:



Here's his performance of the perfectly relevant song, "Sly Fox," (and no dropped lyrics!)



Here's the actual video of Sly Fox which is worth peeping:



(clips via: nah right, hiphopmusic)

Baseball Has Steroids, Hip Hop Has Weed

So I was on this GZA/50 Cent beat hoping for a little old school battle to pop off, no such luck apparently. But I did find this blurb on GZA quitting weed and talking about its effect on him:

“I could have done so much more in the past,” he says. “I’d get up, roll a blunt at seven in the morning. If I played chess online, I wanted a blunt. If I read a book, I would smoke a blunt, and then I’m reading the same page like five times.”

While GZA smoking a lot doesn't come as any shock, it does take some luster off one of the legends of the game. GZA was always the hardcore street-intelligence emcee in the Wu, and while he's still a first-ballot hip hop Hall of Famer, somehow I think this news, and specifically his own sense of regret about it, cheapens the value of his catalog a little. It does feel a little like finding one of your fav players was on steroids, in an era when everyone was on steroids.

I also think there are seeds for a real story here. Consider this recent e-snippet I got from TAN3:

By the way, I gotta tell you about a concert I went to this past week - Nas at the Hammerstein. You know I love me some Nas - but this n*gga is ridiculous - he couldn't remember his own lyrics!!! I'll give the full recap later...

I see this as a tipping point for judgment on Nas, cause he's notorious for dropping lyrics -- even skipping lines on Made You Look on the grand public stage of the MTV awards a few years back -- and at this point it's obviously from weed abuse. For hip hop heads, Nas and GZA are in the same school, art via lyricism, and their inability to step their game up to a higher level (neither was able to make an album/big project that matched the genius displayed on an individual song level) might need further examination in light of this weed referendum of sorts.

You take GZA, Nas, and say, Redman. Maybe Meth also. And talk to them about the varying dynamics weed has on their life and art. Presuming their candor on the subject (and at this point their reps are entrenched, and they'd have little to lose), that's gonna be an interesting piece.

Maybe I'll look into it ....

In the meantime, this weed PSA is even funnier if you imagine the dog talking to GZA or Nas.