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Whitney is sort of fascinating as a human embodiment of the philosophical conundrum of "Theseus' Ship (props to Jen Dziura's one-woman show for reminder on this).
The Ship of Theseus paradox poses questions of identity and authenticity in the form of a riddle/parable: If a ship leaves the port -- in this case Theseus' ship -- and while out at sea has all its planks replaced over time, piece by piece, when it returns to port with all new parts is it still Theseus' Ship?
Now you may or may not know that some scientists will tell you that our cells are regenerating every 7-10 years. In effect, we all have a little Theseus Paradox in us: our whole bodies are renewed over time, piece by piece, but we stay (in some essential way) the same person.
In the case of the fourth best-selling female artist, the paradox is striking: If when we met Whitney she was a god-fearing, clean-cut, singer from heaven, and then twenty years later all of her cells have changed, and she's a crack-smoking, Bobby Brown f'ing, reality show ghetto diva doing very little singing. Well, is that still Whitney Houston?
I don't know.... But, uh, ANYwhitney, I didn't want to unpack our enigmatic angel in this post, but rather her song, "Saving All My Love For You" which got stuck in my head upon revisiting her debut album.
Have you listened to this song recently? I personally had not, and after being briefly enamored with the parodic possibilities of turning the song into an ode to eye-crust called "Saving All My Crust For You", I realized the song is one of the most purely evil songs I've ever given my attention. It's selfish, obnoxious, and pretty much morally reprehensible. If that proves to be a harsh assessment, then it's at the very least disingenuous. Like some sort of romantic Trojan Horse purporting the spirit of true love, when it's no more than the the deranged fantasy of an intolerably narcissistic lunatic.
The title of this song suggets a paean to waiting, pining, fighting, and willing ones way into someone else's heart. In a different context, perhaps a noble sentiment. But as per the setup of the song, you get a sense of some rather questionable pathology lurking beneath the surface. Some notes on all this after the video below.
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