Showing posts with label Stevie Wonder Is God. Show all posts
Showing posts with label Stevie Wonder Is God. Show all posts

Sunday, February 12, 2012

Stevie Wonder Concert Report: Part 1

A few weeks ago Stevie Wonder performed at Madison Square Garden in New York City, and The Assimilated Negro was lucky enough to have a ticket ...

For Once In My Life: Before heading to Stevie Wonder's concert I asked on my blog what the appropriate outfit might be. Concerts are always a little weird for choosing an outfit because you're going to a special event, so you want to dress up, but it's music, and you're going to "jam" and "groove" and "be chill" so you don't want to overdress.

With a Stevie Wonder concert you also have to negotiate the appropriate reverence (no shredded or torn clothes; this means you, white people & hipster-punk negroes), as well as the full age spectrum of Stevie's audience, which is basically from newborn - to old guys being wheeled in as their last dying request. So while I only have two outfits regardless, I thought the matter demanded some extra consideration.

As I say in that post, I ascribe Stevie Wonder no lesser value than proof of god's existence, but despite his godliness, I wasn't sure what a concert of his would be like. Michael Jordan also lived much of his life as God's vessel, but he wasn't the same as he got older. And when spoken of as an artist certainly Stevie, like Jordan, is a performer nonpareil, but we also have to acknowledge that Stevie's contemporary material doesn't strike the same universal chord as his 70s early 80s stuff. He's essentially a genre/brand of music unto himself, but you might cringe a little if you heard he was only playing his "contemporary" material.

(we interrupt this concert review to bring you a TAN Concert Tip/Anecdote for People Saving Their Money: my aunt brought an eggplant sandwich right before the show, we were both unsure how strict the MSG no-food policy would be. Turns out, very strict. security guys examined her bag and demanded that she lose the sandwich (and brownie, and vitaminwater, and other snack). We were 5-10 minutes before showtime and my aunt was determined to be getting in our seats in a timely fashion, yet she didn't want to lose what amounted to $10+ dollars of food, snack and beverages. So she stuck the sandwich down the back of her pants, and brought it in like that until we got to our seats. And we got in no prob. holla! I'm very proud of her perseverance in the face of adversity.)

We get to our seats, which are back row a level above floor seating, in perfect time for what's listed as 8PM show time. But wouldn't you know it, even Stevie runs on CP Time. Tick tock, tick tock. Here comes 8:30, still no blind geniuses taking the stage.

My aunt and I were sitting next to an older black couple, I think it'd be fair to describe them as the ideal Stevie demo. I won't digress on that. To pass the time I figure I'd engage in some fun Q&A on Stevie Wonder trivia. First question: how old is Stevie? I ask my aunt and she suggests 50s, and even hints 40s possibly. I say no way, and suggest 60s might be more accurate.

I eventually ask Stevie's Target Demo, and the wife who is obviously the spokesperson for the couple says that he's definitely in his 60s because "he was 58 when his last child was born." Turns out Stevie Wonder is 57. So, there goes the Target Demo.

Just as we start approaching 8:40 I go to get some popcorn so I can pass the down time picking kernels out of my gums, and just as I get on line I hear the roar of the crowd. I rush off line -- it was short -- to see Stevie being escorted out by his daughter Aisha. I go back and get my popcorn -- the initial applause for his coming on stage lasted the length of the whole concession run – as i get back to my seat Stevie is just starting to address the crowd. As our second and final bit of Stevie trivia my aunt tells me she thinks Aisha is the baby who cries and gurgles on "Isn't She Lovely." Awwww. I offered a firm eyebrow-raise to express my appreciation of the trivia and settled in with my popcorn eager for a good show.

Visions: Before anything gets underway, Stevie walks to the front of the stage and talks to the crowd. He thanks everyone for showing and tells the heartwarming story of how the show was inspired by the passing of his mother in May of '06. After she passed Stevie basically shut everything down for a while, but then she came to him in a vision one night and and told him to stop mourning and get out there and do his thing. And when he called his producers and agent, they thought it'd be a year to organize and plan, but he made it happen in a couple weeks, and has been touring and reinvigorated since.

(Ironically i just wrote a guide to coping with the loss of your fav artists's mama. I think Stevie is my favorite artist, and i herby nominate his mama's passing as a holiday. OR we can just make his birthday a holiday. Seriously. If a thug like Christopher Columbus is honored, Stevie Wonder is waaaaaaaay ahead of that fool. )

Once Stevie gives his intro the show opens with he and his daughter doing a duet of "Love's In Need of Love Today." It's sweet, and she's a good enough singer, but after a couple verses you can't help but think .... okokokokokok, thanks "Isn't She Lovely" baby, but time for Stevie.

After the duet he segues into “To High” and then “Visions” as the first extended showpiece. At the end of "Visions" Steve picks up the tempo and gets militant and angry, riffing off the song and singing how he envisions a better world and doesn't understand how in 2007 we're not there yet. "He can't understand it." And "it's unacceptable." Making war for peace (Iraq). "I can't understand it!" Jena 6. "2007, it's unacceptable!" No healthcare. "I can't understand it, it's unacceptable!" It's kind of corny writing about because it's the same entreaties we hear every day, but when Stevie gets all adamant with his preach-singing, you kind of feel it. I was ready to sign some petitions and beat up some capitalist pigs. In 2007 the drama is unacceptable!

Part 2 continues here ....

Thursday, January 10, 2008

Stevie Wonder: Blindingly Funny

Sucky headline? It doesn't matter really, because look: Stevie!



There should be a holiday in Stevie's honor. Seriously. How do we get that started? If it's too gauche to give holidays to individuals now, then let's make it Blind People Day or something. Why not? This feels like it should be setting up some joke. But no jokes. Real life. If you would protest blind people getting a holiday, raise your hand. And if we get a BP Day we might as well make it Stevie Day cause Stevie Wonder, at the least, has to be the greatest blind person ever. Right? Is that naive or ignorant of me to say? Is it not true? Are there other blind A-list talents? It's possible I could be a naive and ignorant blindist. I'm open to that. I'm going by Helen Keller personally, it seems her name still carries a lot of weight. And Stevie's leaps and bounds beyond her, right? But if someone evaluated black people according to some Frederick Douglass metric, I would be a little disappointed in that. So maybe I don't know. But regardless the refererence, the point is that Stevie comes before Keller in the pantheon of important blind people. I mean, dude's doing sketch comedy here. What blind person holds it down like that? I wonder if HK could maintain a strong comedic presence on a show like SNL. I guess that's the beauty of these times, HK would certainly have the tools to do her thing. A hardcore young, talented blind person's blog might be kind of hot. Especially if it were like a female Stevie Wonder type.... Incidentally, I would date a female Stevie Wonder. Just, y'know, FYI ... if you're out there reading this. Or whatever. Feel free to holla.

More Stevie being funny:




via Sports Guy

Tuesday, December 18, 2007

Stevie Wonder Concert Report: Part 2

A few weeks ago Stevie Wonder performed at Madison Square Garden in New York City, and The Assimilated Negro was lucky enough to have a ticket ...

Part 1 of the report is here.

Overjoyed: "Though you don't believe that they do, dreams do come true ...." The meat of Stevie's show is pretty much a dream sequence. He delivers non-stop classic jam after jam, and concerns about timeliness/relevance were unfounded. Stevie is classic and for all times and occasions. And he performed every song with the perfect balance of familiar rhythm and live improvisational riffing.

By the time we were in the heart of the 2 1/2 hour set, the place is a full on church. All the vendors and ushers are dancing and bobbing as they carry refreshments and direct people to their seats. Everyone stands and cheers when the next song starts up. They're serving beer and booze and many are partaking and it's a Stevie Gon Wild party for sure. There were even a couple white college-aged college girls acting sloppy sorority drunk right in front of us, which I think made the "party vibe" official.

Stevie weaves in and out of his songs pretty seamlessly, occasionally breaking in to drop some background. His longest story was about him meeting a girl backstage when he was 16. Her name was Marsha. And he's hinting at how he already has a sexual ego at that age, and so he's hitting on this girl, and telling her to meet him in his hotel, but then she brings her mom, and he's all disappointed, and it's compounded by his manager at the time embarrassing him by telling everyone he has to be in bed by 11. After the hook-up gone wrong he tells her to come to the show the next night and writes a song for her in the interim. He plays it for her and she likes it but still demurs from his 16-year old advances. I don't understand how a female could resist a young Stevie, especially if he writes a song for you, and from the sound of it he doesn't either. But the song he wrote ends up being Mon Cherie Amour.

Later when leaving the show a drunk guy starts talking to us and confesses he thought the story was about a 16 year old girl and an older Stevie Wonder. So while he loved the concert he apparently was struggling with reconciling Steve Wonder as a pedophile/child molester. Which would indeed change the timbre on a number of his songs. Phew. We lost Michael, we couldn't lose Stevie to the kiddie-love.

"Signed, Sealed Delivered" was another song that got an extended moment. Cutting the song short in the middle he starts explaining how he thinks it's a jam that still "has life in it" and proceeds to set up a country western version. Which was awesome and a legitimate remix.

Stevie performs the uptempo version of "For Once In My Life," which I've discussed as my preference to the ballad, he then shares how he first heard the song from a singer he always admired and that singer was there tonight. As the band slows down, out comes Tony Bennett and they go into their Grammy award winning version of the song. It was a great crowd moment, especially for the Caucasians, but I still like Stevie's version better.

Ribbon in the Sky: Stevie was able to drop out of songs at will and the audience always picked up the lyrics without missing a beat. But the biggest crowd interaction moment came during "Ribbon in the Sky." Stevie performed most of the song then broke it down and starts orchestrating the crowd:

Ladies?

Heeeeeey!

Ladies?

Heeeeey!

I want you to sing this .... then he gets into a jazzy "there's a ribbon in the sky" melody.

He goes through it a couple times and the girls hold it down pretty much flawlessly. Now it's time for the fellas:

Fellas?

Hoooo!

Fellas?

Hooooo!

I need y'all to say "the ribbon ..... the ribbon ... ooh-ooh ah ah ... the ribbon."

Admittedly the guy riff was more of a change of pace from the original song, and ooh-ooh-ah-ah was tricky as far as straightforward easy-to-sing musical sections go. Also the ah-ah part is not sung, it's more throaty, kind of like the ahhhh-teeth suck in Push It by Salt & Pepa. In any event the guys kept botching up the ooh-ooh-ah-ah part. And to his credit, Stevie tries to coddle them along ( I was too busy reviewing their performance to participate). You could see he didn't want to hate on everyone, but he would be remiss to accept what they were doing as up to snuff. So he goes through it a few times, and on pass 4 or 5, just when it seems he would have to give up the guys get it down. He then gets everyone to do their parts at once and ..... it's ok. I'm sure it wasn't how he envisioned, but I'm amused that it might be the last musical challenge left to Stevie, orchestrating a crowd of 15-20K strange people to get a nice harmony section going.

You & I: You & I might be my favorite Stevie song. At the least, my favorite ballad. And as a single guy in NYC, the song, and Stevie himself bring to mind some more philosophical questions:

1.What is unconditional love to Stevie? I think Stevie's bread and butter is the song about infinite undying unconditional love. And usually it's directed toward that special someone. But Stevie has multiple baby mommas out there. So even he serves as a reminder to love's imperfection. Stevie's got love for everyone. And for his lover or partner that must be heartbreaking at times. But what are you gonna do? Hate on Stevie? Makes you realize Stevie, despite writing the most traditionally romantic love songs, might be the archetype for the ultimate philanderer. You could catch him in the bed, and all he's gonna do is start singing Overjoyed, or You & I, or Golden Lady and you have to forgive, you have to forgive. He could do this to women across the globe; he has that much love to give. Play on playa.

2. Can Stevie get angry? Along the same line as Pimp Stevie, its hard to imagine Mr. Wonder as a grumpy pants. But he must get irritable sometimes. This youtube [LINK, can't find it now, sorry] has some producers testifying that they had to rile him up to get the gritty edge for "Living in the City." What a funny idea. How does one get under Stevie's skin? Do you make blind jokes?

3. Who's taking the torch? Are there no contemporary Stevie Wonders out now? I think the closest bet is R Kelly, which is fairly hilarious. Some are talented, but it seems the humanity and consciousness in large part is gone. Less inspired, and with less morality. It's kind of like how Kobe might be better than Jordan on a technical level, but lacks that special transcendent unifying power that makes all the difference in the world.

As: Finally as we're getting towards the end of the set, Stevie gets into the classic Superstition. And in the middle of the song he mentions that Prince might be on location. As opposed to Tony Bennett whom he announced, this one is premised as a possibility. But everyone begins looking around and at each other in anticipation. Prince??!?!?!!? Next thing you know the girl man himself comes out and grabs a guitar. And heads begin exploding around the stadium. He didn't actually do that much razzle dazzle. Sort of joined in on the song, and then did a quick couple riff minutes at the end, and then stepped off. But yeah, Prince came out, and that's all that matters when you tell people.

Stevie closes with the song "As," one of my favorites, and after Prince got everyone excited I was primed for the closer of all closers. The song itself on the album is extended with a building crescendo and I was just ready for Stevie to go crazy. But mid-song he breaks off and does the band intros and thanks everyone and blesses his mother and then heads off. The crowd was definitely a little bewildered. Would there be an encore? Was he coming back out? He had to be, 2 1/2 hours felt like he barely scratched his portfolio. But next thing you know the lights came on and that was it.

During those parting words he also called out people who can't help but hate and said the "haters could die and go to hell." And honestly I gasped because I couldn't believe Stevie Wonder was hating on anyone. Even haters. It felt so unlike Stevie who obviously would love anyone when they were in his presence. Especially females. But I guess in his old age he's getting a little cranky. It shows he's human. But I can't front, it made me a little sad to see him directing hate at anyone. It's like if God came down and started bitching about Britney Spears and her underpants or something. You can't believe they'd come down to that level.

With the lack of an encore and the unexpected haterade as the only two caveats to what was the best concert experience of my life, it stands that I remain prostrate at his throne and will remember this show ... always.

Friday, November 23, 2007

Elephant Soup: For Once In My Life


MP3 File

What I like about Stevie's up-tempo version of "For Once In My Life" versus the ballad version is a sense of the quicker pace driving home the point that this is a song about love that is freeing. The slow version is beautiful, but the pace is foreboding. It's the version you sing before doing chores together, "for once in my life .... i have someone to do the dishes." The fast version implies a couple in love, but the end result is still about you basking in the sunshine and snapping your fingers and just doing what you want to do. It's a love that you can take for granted. It wants you to take it for granted. That's a trickier love to manage -- for one, it theoretically means free sex with others -- but I do think it's the love we should always be shooting for, and Stevie's version captures the joyful part of that sentiment.

My ex-girlfriend -- and really the only "girlfriend" I've had and known -- is the one who got me into Stevie Wonder. I was always aware of him certainly, but it's sort of like she was in the Stevie Fan Club and then got me to join, and then I eventually became the president, or more appropriately, THE EMPEROR, while she remained a casual fan.

A few summers ago, towards the end of our relationship, and right before I transformed into TAN, I had a part-time dog-walking job during the summer. She was the one who kind of got me into the "industry," and for a little while we were like a little part-time cottage dog-service company. She'd do part-time with a company that ran with dogs. I did part-time with a company that walked them. And then we'd often dog-sit on the weekends as well. We had always discussed getting a dog, but this became the perfect compromise. I recommend it if you have the time and don't want the full dog-commitment. You get your dog fix, get some $ on top of that, and no full-time commitments in either case.

I lived in Spanish Harlem (SpaHa, stand up!) and one of my great discoveries in this neighborhood was Ward's Island. They hold concerts and events out there on occasion, and there's currently a redevelopment project to make it a bigger attraction, but at the time it was mostly just this island/park area that was frequently empty. After a while I never went to Central Park anymore cause this was just as beautiful, without the crowds.

So Ward's Island was perfect for dog walking. Since no one was around you could take the dogs off the leash and it was all grass and woods and all of that to run around. The dogs loved it; whenever we let them off the leash it was a revelation along the lines of discovering Stevie Wonder. These conservative, almost closeted canines would mope along like chained-slaves on the street. But on the island, once we "gave them free," they would light up and their personalities would change instantly. You couldn't help but be caught up in in their bounding exuberance, it was like seeing a child's first xmas.

One particular cockerspaniel named Abbey was a very cute dog, but dysfunctionally timid on walks; afraid of large structures, and crowds, and basically everything NYC streets had to offer. She was a tough walk. Every 5 minutes she'd just plop down and not go anywhere, and if you've been around dogs you're probably familiar with how frustrating this behavior can be when you need to get somewhere. Plus if it's a cute female dog, you can't help but feel she's channeling her inner diva/bitch or something. Yet, it was clear Abbey just had some hang-ups, so you'd eventually sympathize cause she presumably just needed some therapy.

Maybe it was a band-aid solution, but I know Ward's Island was therapeutic for Abbey. Once released she would instantly become the dog "we all knew she could be." Boldly inquisitive, frisky, and smiling ear to ear ... Just happy. And Abbey in particular always made me think of this song. I always imagined a video with her prancing about, shoulders confident, nose held high, uncaring about what was going on around her because nothing would slow her down now. And you'd cut it so that she skipped to the beat a little, like those Meow-Mix Cat-Chow commercials. On those walks it seemed Abbey, for once in her life, had someone who loved her.

I've never really talked about my ex on this blog. For one, while I say some personal, intimate things, I don't do that much detailing of my personal relationships. But I did always have a sense that she was hurt a little by me not writing about her. Soooo, I don't know .... but as my first and thus far only serious girlfriend, suffice to say she means the world to me. And when I hear this song I also think of her and hope that she's walking in the sunshine, being boldly inquisitive and full of joy .... Just happy.

I've always had trouble saying "I love you" (hence the mouthing of the phonetically similar, "elephant soup"), but as I begin exploring some of my dating trials and tribs I want her to know that no girl has meant as much to me still being alive, and ... hopeful.

S, I love you, and I know you might think this is corny, but you're a revelation along the lines of Stevie and Ward's Island. And I kind of hope this song, this love, is soundtracking your life.

Monday, November 19, 2007

Stevie Wonder: Some Videos

So as mentioned before, I'm gonna have a report on the Stevie Wonder concert at MSG this past Saturday. In the meantime, in-between time, here are some Stevie vids I've come across:

Superstition was performed, of course, similar setting with him at the keyboard and a band behind him. Good stuff. Now just imagine Prince coming out to join him on guitar. I had to take my clothes to the cleaners from people's heads exploding around me:



Tony Bennett made a special guest appearance as well. The performance was similar to this one:



I'm personally partial to Stevie's up-tempo version of "For Once In My Life," and here's a version of that. Stevie didn't have dancers for this show, and I suspect this video may indicate the reason why.



The longest/extended version of a song award went to "Ribbon in the Sky":



And my personal favorite Stevie song (if you can have a favorite), You & I:

Saturday, November 17, 2007

What Does One Wear to a Stevie Wonder Concert?

So I'm going to Stevie Wonder at MSG tonight. According to BV -- the only source I consulted on the matter -- it's only, like, his second show in NYC in the past ten years or so. So, it's a hot ticket.

I ascribe Stevie no lower value than "proof of God's existence" so needless to say I'm excited for the show.

But I don't know what a young[ish] TAN wears to such an event. Do I go a little more formal out of respect for Stevie and the inevitable presence of Negro Elders in the audience? Button up/down shirt, jeans and shoes. Or do I max my comfort level, cause it's all about enjoying the music, and go with jeans and t-shirt with some sort of long-sleeved addition underneath for November-weather insulation? That's most comfy, but feels a little irreverent-hipstery for a Stevie show.

It's not a huge deal either way, not like I don't go with one or the other in your average 2-3 day stretch. And he's not gonna see either way. But it's Stevie God, so I do want to give it some consideration.

In any event, I'll have a review/report on the show next week.

And now that I've thought about it some, I'm thinking I'm just gonna go with my blue Stevie dress. I haven't worn that in a while:


Related:
Soundtrack of My Heart: You & I

Wednesday, December 06, 2006

Soundtrack to TAN's Heart: You & I

This is not to be confused with the Soundtrack of Your Life. There's no randomness to this, these are the songs that play when my heart runs the itunes.

First up: You & I, by Stevie Wonder. This is the song I'd like Stevie to sing at my wedding. This is the song my heart cues up whenever my mind thinks about "The One." It may be my life is all about finding the person for whom I can simply play this song, with tears streaming down my face, and all will be understood. I also think You & I can earmark a new trend: The Love Song is the new Breakup Song. As opposed to wallowing in the past, it offers a bittersweet sentiment of hope and looking to the future. That's the new ish son.


MP3 File

Here we are
on earth together
It's you and I
God has made us fall in love, it's true
I've really found someone like you

Will it stay
the love you feel for me
Will it say
that you will be by my side to see me through
Until my life is through

Well, in my mind
we can conquer the world
In love, you and I
you and I
you and I

I am glad
at least in my life I found someone
that may not be here forever to see me through
but I found strength in you

I only pray
that I have shown you a brighter day
Because that's all that I am living for, you see
Don't worry what happens to me

Cause' in my mind, you will stay here always
In love, you and I
you and I
you and I
you and I

In my mind we can conquer the world
In love, you and I
you and I
you and I
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